A still summer morning at Schwarzsee in Zermatt produced one of those rare photographs that felt complete from the first glance. This is a reflection on balance, colour and why some landscapes belong on a wall rather than only on a screen.

A Brooklyn Bridge photograph taken at blue hour became both my favourite image from New York and one of the prints I most enjoy living with. This post is about why the black-and-white version works so well on the wall as well as on screen.